VIEW IN MY ROOM
United States
Painting, Watercolor on watercolor paper
Size: 9 W x 14 H x 0.1 D in
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This artwork is the original artwork I created for the Belleville Metro Link Station for the West Face Windows. It is for Window Mural # 9 on the West Face of the Metro Link Station in Belleville Illinois. The artwork was converted to a digital file to be output for a clear 3m vinyl window mural. This design is the water spouting from the Belleville Fountain. All four window murals are a continuous design when you put them back to back. original artwork is available. Non digital.
Original Created:2022
Subjects:Abstract
Materials:watercolor paperpaint
Mediums:Watercolorgoauchepainting
Painting:Watercolor on watercolor paper
Original:One-of-a-kind Artwork
Size:9 W x 14 H x 0.1 D in
Frame:Not applicable
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Genevieve Esson has a B.A. in Painting from Webster University, an award winning artist, her work is collected regionally and internationally. Esson is a painter and multi media artist and has completed 20 Public Art Projects. Her main medium is painting in acrylics. Born and raised in St. Louis, Missouri, she participates and exhibits her artwork at fairs, festivals, gallery shows, coffee houses, hospitals, restaurants and LIVE art events. Esson makes paintings and mixed media artworks. By merging several seemingly incompatible worlds into a new universe, Esson tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations. Her works isolate the movements of humans and/or objects. By doing so, new sequences are created which reveal an inseparable relationship between motion and sound. By questioning the concept of movement, she uses a visual vocabulary that incorporates time as well as space – a fictional and experiential universe that only emerges bit by bit. Her works are based on imaginary associations which open a unique poetic vein. Multilayered images arise in which the fragility and instability of our seemingly certain reality is questioned. With a conceptual approach, luring the viewer round and round in circles, she finds that movement reveals an inherent awkwardness, a humour that echoes our own vulnerabilities.
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